Showing posts with label HipHopSisters. Show all posts
Showing posts with label HipHopSisters. Show all posts

Saturday, May 30, 2015

On Being An Alternative Hip-Hop Artist...and its Pitfalls

WARNING: THIS IS ANOTHER POPCORN ENTRY. So get comfy and grab some.


I might just join you as I write this.

I met a person of station awhile back who tried to clown me a bit because I said I was an alt. hip-hop artist. Challenged me, in a sort of condescending tone, to explain.




I did, and he basically "corrected" me and told me I am what is called "underground". I told him that there are many underground hip-hop artists that would disagree vehemently with that assessment. I've even been told as much by a respected so-called underground hip-hop "tastemaker", that my stuff is not underground.

Yes, I may actually BE under the radar, if we used the term "underground" in that sense, but I am still alternative, in the sense that what I'm doing is not what you would expect from hip-hop when you first hear that that is my genre of choice. There are artists under the radar with me that are doing exactly what one would expect of hip-hop, creatively. That ain't me.

I've also been called a pop artist, which, frankly, I am sick to death of.


I know pop really is supposed to mean "popular"--which isn't a bad thing in and of itself, being popular-- but in this day and age, for someone who strives to be authentic to who they are, it also means "death sentence", "disposable" and "dismissable", and I don't wish to own being any of those things, no matter what bent my sound might take in its journey.

People have a tendency to just kind of shove things in a box when they don't understand it, and more often than not, the box they shove you in is wrong. Because you can dance to the majority of GATA City, you would think that I'd be shoved in the dance category, but since people think of EDM/EBM, dubstep and the like when you say, "dance", I am demoted to pop. I also get told a lot that I don't belong here, I belong "Overseas" where I would "do much better", as if Overseas is one big land that will solve all my problems like it's the Emerald City.
And I know there's the typical/not-so-typical-but-accepted-cuz-they're-conscious hip-hop brethren, sistren, and cousins of mine who would look down their nose at me, side-eye me, or tell me, "That's cute, sis" and give me a virtual pat on the head, but go on and on about how ill certain mainstream female rappers are when I know I could run circles around some of them lyrically.

I won't pretend to make myself bigger than what I am; I won't even sit here and say I'm at-par with some of the other unrecognised ladies under the radar with me. There are so many down here that I've heard, been introduced to, or whatever...some, I've even been called upon to emulate, but my days of emulating anyone have been far behind me for years. I will, however, tell you that I know I deserve a fair shot at being taken seriously and listened to.

Talking of "listened to"... that's also another pitfall that comes not so much with being alternative, but just being a hip-hop artist-- NOT being listened to.

For example: there is an event that Newark is trying to do called Better Block Newark, and they were looking for people to get involved. Someone on its organisation team had somehow gotten hold of my email address and was sending me so much mail about it. So, naturally, I submitted myself... and got no response for a month, save for more email about volunteering.

When I did get a response, this is what met me (and two other people on his staff the sender sent to via CC):

Thank you very much for your interest in supporting our efforts in hosting Better Block Bergen. Unfortunately, the intention of the event is to provide family friendly entertainment for this celebration. Otherwise, we would surely be provide the platform to present your work. I'm sure it will be a great occasion and welcome you to contact my colleague Perris for an opportunity to setup a vendor table. 

Again, please accept our regrets. We hope that you still choose to support Better Block Newark as we intend to expand the initiative and need all the support from entrepreneurs/residents like yourself.


Mind you, I was asking about performing, but they're talking about selling at a table.

I replied, pointing out that my stuff is mainly profanity-free, and is indeed family-friendly--that in fact, I had been complimented by parents on that very thing (and sometimes, even shunned for it by others, but I digress). I mean, I wouldn't have been booked at family-oriented block parties if it wasn't, would I? But, I get this back:

I appreciate your cooperation and I must insist if you have materials or goods you would like to share and/or sell during the event we can surely provide space and a table to do so.

I did notice the lack of profanity and such in your performance and I commend that. Please continue to support the event and we can work to better curate the next event's programming to potentially include your stage set.

Huh. Okay, so, basically, "Get a vendor table and be happy. If you play ball, perhaps we'll let you do your li'l thing. but not now."
When I brought it to the attention of friends and GNOtaku, they thought that the "family-friendly" bit was a joke, with at least one friend surmising this:


Oddly enough, Peace had said that very same thing right before she posted that!
I'm pretty sure that they didn't bother to listen, just saw the words "hip-hop" and ran the other way. And for them to sit and say they "noticed the lack of profanity and such" when I could tell they didn't listen was insulting. If they had listened, pointing out that they were looking for "family friendly" entertainment wouldn't have been an issue.

I bet, though, that they'll have a local dance team that either a) has little girls doing inappropriate choreography but excused as cute (and wearing tutus...which didn't really start much here until after Fashion Is Art) or b) is using music that wasn't pre-approved and ends up full of curses and suggestive themes.

Why?

Because that's what's acceptable around here in the Brix. And it's acceptable because it's what they know.

Someone always tells me to look for ops in my own area; music blogs always suggest becoming a thing in your hometown first. Well, this is what happens when I attempt to do that...unless I meet someone like the true owner of Majesty Loft or someone else willing to take a chance on the weird girl in the cat ears. I'm mostly ignored (not even an email saying "no") by anything you'd think I'd be welcome to perform at in Newark--including Newark Gay Pride, if you can believe that. Newark is nothing if not afraid of new or different, and I think it is time that I truly accepted that and looked for gigs elsewhere, or make my own. Then show up at theirs anyway in full Nyan Regalia, like: "AND WHAT...?"



Which leads me to...addressing this past week's incident involving the "different".


For years, I have been trying to get involved in Afropunk somehow, due to the many suggestions of others (sent press releases, joined featured bands group), only to be mostly ignored, and I think a lot of well-placed badmouthing by certain individuals killed that to begin with. But, being somewhat undaunted and willing to believe that perhaps I might be mistaken, I entered the Battle of the Bands voting competition after much encouragement.
Days later, I received this:

We see some suspicious behavior for your entry, as it receives runs of repeat votes from the same or a series of closely related IP addresses.

166 votes come from duplicate IP addresses.

As this is evidence of cheating, we regret to inform you that your entry will be disqualified immediately.

Okay. Here is the math on the voting process:
--It is a single click voting platform.
--You must vote through Facebook.
--It will not let you vote twice from a single IP address.

And yet...I cheated, and was disqualified. Yup.

Of course, this brought cries of outrage from my friends/GNOtaku. Some thought "sabotage", some thought that they could have just discounted the duplicates, since there seemed to be trouble voting from phones and devices--a lot of people complained that they weren't sure their vote had even gone through. "With this knowledge," one said, "surely a malicious person could systematically get everyone disqualified, except the one they want to win!" And most agreed with that assessment. But I just chalked it up to Mercury Retrograde and the former badmouthing taking its toll.

Ironically, I didn't even enter to win, just get involved in something of theirs IN SPITE of them...and get noticed by their audience. I wasn't even as upset as I should have been about being accused of cheating.

What I was upset about--which I figured out after some reflection...was that here was yet another place where several people have told me I "belonged"...and it was very clear that they still don't think so...for whatever reason.

I can't begin to tell you how many people have said "Oh, you need to join Afropunk, do their shows, get featured!" Anyone from a music business mentor of mine to the graphic designer of my CD art: "Afropunk is for you!" 

No...no, apparently, it's not.
And that has been sorrowfully driven home by this final nail in the coffin.

So, let's count the places I've been told I should belong and apparently don't: my city, the culture as a whole ("you're a pop artist"), America ("go Overseas!"), Afropunk, and let's not forget Hip-Hop Sisters Artistry, who apparently thought there is only one kind of female hip-hop. (Yup--ignored by them, too.)

This shxt makes you want to run away from home sometimes, LOL. Join the circus. I did actually joke in a Facebook status about buying a town like Kim Basinger did and establishing it for those of us who fit nowhere else.

But...I was reminded (thank you for finally being useful, Mercury Retrograde, you cankerous whore) of something I once told a young strangeling-in-the-making when he came in from outside play, disgusted that the other kids didn't want to play with him at all after they decided they wanted to play tag after he said he'd wanted to still play ball, and decided to confess to me.

"Do you still want to play ball?" I asked him.
"Yes."
"Then be proud that your vision of playing ball-- doing something you want to is strong enough to survive what everyone else thinks you should do. They might not want to play with you now, but they might later; someone might. Always feel proud that you chose what you really wanted."



So...I will reflect on that years-old piece of advice I gave my eldest cub, and take it myself and let it nurture me. They might not want to play with me now...but...someone eventually might.

Saturday, February 12, 2011

Repost of a Blog on HHS

Something I wrote on Hip-Hop Sisters...

So, yeh. I haven't been here much because I just couldn't get ahold of a consistent connection to save my bloody life, but I have one now...so maybe I can stop lurking so much and say a little more.
Also, I've been going thru quite a bit lately, balancing raising my cubs and recording and battling building management and staying sane...it ain't always pretty, but I get it done.
But, it loox like the fruits of my labour will be shared soon: my first effort is looking at a March release. I'm signed to a small DIY label and I'm just happy I get to share my organised chaotic noise with someone.
I will never profess to being the deffest femcee ever (did I just say that?). It's just the medium with which I have always expressed myself, besides writing, and angry stressed-out photoshop manipulation.There is, I notice, a lot of pressure to be "THAT" girl...but I'm just another rapper, just like there are singers enough to throw a stick at, I'm part of the femcee ranx. I'm not playing house; this is what I do. I just do it differently.
The album is more...dance oriented than I expected it to be (I will be honest and say it wasn't planned that way at all; I just kinda followed where the trax took me). There are, however, a few more rhyme-based tracks there...some w/no catchy singing hooks (thank God/dess because my singing blows, LOL) and some funny interludes...I even delve into some Japanese at some point. The thing that makes this genuine is that it does explore my influences, gives you a glimpse into my personality(ies), and hopefully allows the listener to have some fun, which is partially what I was hoping for. I love to dance, so I wrote dance stuff. I'm cartoonish, so you'll hear cartoonish trax. I have insecurities, so you'll see that too.
I know there are some people that I am automatically gonna get compared to, but I can't help that. I can only show you how I'm different from them, continue to follow my creative path, and come up with more content. I'm not trying to change the world, just trying to create some stuff. I know people are gonna dismiss my shxt as disposable pop, but I had to actually classify myself in the pop category primarily w/hip-hop second, because where else would it go, really, w/all that dance stuff? LOL... I haven't even begun to touch all I wanna do. I guess that will have to wait for next project or exclusive online releases (hint hint). I set out to have fun on this, and I did, contrary to my collaborators' opinions at times. You'll see the deeper parts later, for sure.

There was a time during all this that I admit I was skeptical. I am a product of the "I-do-not-believe-shxt-until-I-see-it" philosophy; I admit it. There have been many times I have been told that I was the next big thing (sure), that my time had come (right), and that I was gonna blow up (uh-huh). My tendency to not be arrogant about my abilities kinda damps that down too much for me to get a swelled head on such things. There have been people that said they were gonna do this or that for me, and didn't follow thru for whatever reason...I have been so close to a "deal" I could almost touch it...but no dice. So I just learned to wait (and, totally said "I don't give a fxck anymore about a record deal"--and meant it, LOL) until I actually see something that loox promising, like this does. But even then, I don't get too excited. Perhaps it's a defence mech.
At this point, I'm just happy to be committing something to "wax", as it were. Something tangible that people can actually hold in their hands and listen to. Something that can actually open doors to other things. Maybe even get me and my cubs the hell outta this freakin' neighbourhood and into a place where we can all breathe. I can dream, can't I? LOL
I'm excited and happy cuz there are people who are actually waiting to hear something else from me, besides what they find online. They are who I did this for. If other people like it, yay, good shxt. I have my fears and insecurities: I won't be taken seriously, people will hate it, people (especially my own) will think I'm too weird, hip-hop purists will think I'm contributing to the problem by not talking about anything conscious, per se, the alt community is gonna be pissed at me if I go mainstream, EVERYONE is gonna be pissed at me if I go mainstream, people will auto assume I'm biting off of someone else, blah, blah, blah. It's easy to say that if I have haters, I'm doing something right. I have always had haters just cuz I am who I am, and always will. It is a vulnerable place to be. But, at the same time, it's also empowering in that my vision of who I am and what I choose to be is strong enough to survive all that negativity. I tend to not conform by default. (I may compromise a bit, but if it's totally against what I believe in, fxck that.) I will not go so far as to say everysinglething I've done/worn/tried I came up with; I just know what I like, and I throw things together and hope it sticks. DIY...it's always been my way. If I can't buy/find/collaborate with it, I figure it out on my own.
Okay, enough sharing for now. I do hope that people do dig on this, and can look past their first impressions and see my truth. It'll be interesting to see where this leads.
I stand by my promise yawl, that I tweeted so long ago: "I'll do nothing less than be true to myself and who I am. I won't put on airs. You will get GATA straight-no-chaser."