Showing posts with label whatever. Show all posts
Showing posts with label whatever. Show all posts

Monday, August 3, 2015

It Is What It Is


It might seem odd for me that I'm blogging again so soon but I guess I'm feeling a certain type of way. It may come off as bitter, but I'm just being real, and face it--life ain't always sweet sometimes. This is just me taking inventory and sharing it with you.

This is written in the spirit of honesty and disclosing events in my life...owning up to the fact that everything is not okay in my world, and that I would be less than authentic if I didn't share this with you, GNOtaku (and the haters, as well).



I've been reflecting lately on the fact that even though I'm supposed to have this great team of people behind me, I am actually alone and on my own.

I think I said once before, back when we were still being distributed by another company, how it felt like everyone had distanced themselves from the GATA City project except me, and that I supposed it was my turn. And I guess I distanced myself a bit, too, out of protest, even though it was the only material I had to perform. 

Now that we are no longer being distributed by that company, I put a fair amount of enthusiasm again into promoting the project...and, again, it seems like I'm the only one who cares to do so.

My resources are limited, admittedly. I am single-handedly running the hardcore administrative duties, promotion/marketing, social media. I have someone who goes through my mail and someone who manages me. But for the most part, it's all me.

With the exception of one of the CEOs reposting what I post to people who couldn't care less (or maybe they could; wrong audience), I'm the only one who seems to care what happens enough to do the "legwork", so to speak, anymore.

A total of four credited writers (including myself) and two guests are on the album, names and all, and yet, I'm the only one posting any of its achievements, or promoting my shows, or anything like that. I'm the one taking classes, and trying to figure out everything.

A pretty big performance is coming up in my life, and I can't even get full support for that without balking or strings or indifference. In fact, the last time I had support from anyone of the writing team as far as the performances go was years ago. The most important person on my team/The Label's team who was able to do something and didn't feel like they were "too old" to do it moved away to get his life. You would think he'd still help via social media--and he did in the beginning--but he lost interest, threw me under the bus in certain cases, and I'm pretty much left on my own on the promoting front as far as the "legwork". I'm guessing it was because his friends didn't appreciate the the work he put into it and put it down because they thought it was a bullshxt project cuz it wasn't full of curses and gangsta-isms, blatant typical-female-rapper-style sexuality, and other shxt I don't do.



Now, there are certain things that I am being mistrusted to handle since, I guess, the new business model and the way the independent music industry now works is not working for The Label, and, as I pointed out before, resources from them are limited. Certain vital things that are the lifeblood of getting new fans. I can try to stay positive all I want, but the fact still remains that a potential fan--someone who doesn't know me from Adam's housecat-- will more than likely balk at paying full price for music, and that is going to hurt me in the long term. Not even established musicians are making money off music sales! To choose short-term profit over potential future money is possible career suicide. Oh, sure, The Label might make its investment back, but I will have lost more long-term customers. I mean, even drug dealers give free samples.



The reason why they don't know me is that proper promo never happened, the timing of proper promo never happened. Nothing was structured, GATA City didn't even have a proper video until a year after it was released. It should have been a year before its release at the most. They expected that the album would sell on its own because the music was good, with very little advertising, and just on the strength of me doing shows. Every idea and well-researched suggestion I put forth regarding its promotion and handling was initially shot down, with me being told I needed to "focus on the show and making good music" when that day in the industry--that way of handling things-- had passed. Then, a year later, suddenly my ideas made sense...but still met with much skepticism. I'm still going through this struggle now. The rules are different, yet they still want to play by the old rulebook...and my hands are tied.


Me.


I did and still do all I can to put my name out there myself, but it's not enough, and what I do manage to get accomplished is tainted by someone else glomming onto what achievements I do make by using constant confusion, lies, sabotage, and subterfuge. Yay.



Yay.


So, along with this and the unfortunate infiltration of aforementioned glomming demonic forces on something that was super important to me, the future is looking uncertain. Here I am-- again-- being forced by too many people to hide my light under a bushel. It's just perfect that one of these people happens to be the infiltrator and even more perfect that they are being helped along by the very people who said they wouldn't allow it to happen. The team who are supposed to support me don't care and don't understand how important the event is to me, and NOBODY seems to understand how a person who was and is still coming for my life--literally--is a huge detriment to my success there. (Sidebar: if you ever need to get a restraining order on someone and you think even once about dissolving it-- DON'T. You will indeed regret it eventually.)

How much do you want to bet that if something huge and good and groundbreaking does eventually come of the GATA City project, suddenly everyone will give a shxt about the cause, including but not limited to the other writers on the project? Then it will be theirs, too, and not just mine. It will be "our" victory, "our" baby. Then, people will want to claim it and me, say they always believed in me, they "knew me when", maybe even go as far as to say they taught me all I know and other BS. Never mind I've been working on pushing this one project for four years alone amidst life struggles and deaths and my health and everything.




I'm on my own out here. I'm doing all I can to help others so I can, in turn, help myself, and in turn, help them, but I. Am. Mostly. On. My. Own.

Yawl can sit there and pay lip service to "I got your back" and "You're not alone in this" and "It will get better" and whatever...but the fact still remains that...OnMyOwn. Like Patti LaBelle.



It is what it is.

Saturday, March 16, 2013

Okay, Let's See...

Where do I start...
I'm grateful Mercury Retrograde is almost over-- I am so sick of not being understood even more so than usual! Anything technical has been screwing up when it can, and it's so frustrating. But things, nevertheless, have been happening. I have a few projects coming up, and I'm eager to get to work. 
It's been a rough month, but we pull through as best as we can. I'm going to have to get another dancer, albeit temporarily, at least that's the impression I'm under. 3D has gone to Florida for a bit. I hate looking because it's hard to find a quality dancer who doesn't have this...attitude, but I gotta do what I gotta do.
I'll be dropping in on a few things this spring, just to say hey, lend a hand to some fellow AAEHH members, extend my reach a little. I'm also back on an endurance regimen, cuz I totally need it after slacking off due to the holidays and to stress. Handle your stress, yawl--do what worx for you.
Been putting in work on developing a monthly event. I'm hoping I can get this off the ground and get the type of people I'd like to have involved all-in. It's nice to have people who actually believe in what you're doing, and the vision you have.
Oh, I'll be starting a 25-day song challenge. Soo you might be hearing from me for the next 25 days, if I'm lucky...

Saturday, September 1, 2012

Old Twitter Rant...

I was inspired to post this due to this article...which totally validated my attitude towards the whole femcee culture. I am SO. FXCKING. GLAD. I am not the only one who sees this shxt--and has used this anaolgy!
This was one of the rants I went on-- and often go on-- about the plight of the femcee, the attitude the world seems to have about us, and how I'm just gonna continue to do what I do--EVERYTHING I DO-- whether people like it, accept it, or not. I know I have tweets that go back further than this rant about the same subject; if you care to look, go right ahead, LOL. But this is the stuff I've said as of late.

A rant from a month or so ago:



Twitter rant, April 17th:

TRUEORIGINAL GATA 黒猫 @ThaGataNegrra
Did a search on YouTube: ”female rapper”. Oh, boy. Two things: 1) you can't ALL be the ”best female rapper alive in the game”.......(I tried to cram all the common adjectives into that one, lol) 2) there are some really misogynist, limited, chauv bastids out there. I'm staying in my lane. Fxck what sells, fxck trying to outrhyme my femcee brethren (never battled anyway; got nada to prove!),fxck yo niche...Fxck the currently limited scope of the genre that chose me...I'm doing what I do to express me, and gonna have fun doon that shxt. I choose not to play ”the game”, cuz the game sure ain't playing me. I colour neatly but go outside the lines cuz I...just do. #facets I'm just done w/this Highlander ”there can be only one” shxt w/chyck rappers. Done w/one-dimensional chyck rappers. You are BETTER than that...Stop trying to prove how sexy/badass/hard/fill-in-the-blank you are to the world, ladies...and just BE. Create. Damn. I know and accept I don't belong in yawl's arena...so I'm building my own. That will be my legacy. I don't have to be what I'm expected to be or what motherfxckers think I ”should” be...who has time for that? #notme...

And then Russell Simmons goes and tweets this, so I RT'd: " 'Do what you know in your heart to be right—for you'll be criticized anyway.' Eleanor Roosevelt"

I go on:

 TRUEORIGINAL GATA 黒猫 @ThaGataNegrra
W'ever. If you actually read my feed, you know I go on these rants every once in awhile... #randomthoughts...Yawl ain't tryina hear me, you just wanna tweet. HAHAHAHA

Tuesday, August 9, 2011

Prolly The Most Respectful Rejection I've Received...

 




Aug 9, 2011
Greetings Gata,

This is Nate from Tinderbox Music. I just wanted to thank you for your submission through Sonicbids. They're important to us. Meaning we don’t advertise and like the music we champion –we rely heavily upon grit and word of mouth. It's my belief that many folks are spending more and more time on electronic submissions. I have become a real believer in them as of late. It's a tough biz and you DO need to reach out. Indeed independent music is generous with its challenges, the more people you know the better. Yes, I'm saying that because I like a couple of your songs. You have a tight flow on "Paperdollz" and it definitely has the underground hip hop sound I like. But the other tracks fall a little more to the commercial/dancy side of things while we work primarily with underground hip hop. So while I don't think we're going to be a good match for each other, I do wish you all the best in your musical endeavors. All the best, Nate

Thanx, Nate... I think. At least thanx for not being generic like most of the promoters on Sonicbids too lazy or unwilling to give feedback.